Article: Pure Fiction, OCTOPUS, The EMΣT magazine 2, special issue Wild Worlds. Remembering and Imagining Human and Animal Relationships, ed. Filipa Ramos | summer 2025
Article: Images of Pollution and the Pollution of Images: Postindustrial Landscapes on and through Film, Environmental Humanities 1 March 2025 | 17 (1) (peer-reviewed)
Catalogue essay: « Les femmes au travail (anti) nucléaire – matérialité, activisme, art, les années 1980» (Women at (anti) Nuclear Work – Materiality, activism, art in the 1980s), in Atomic Age exhibition catalogue, ed. Maria Stavrinaki & Julia Garimorth, Musée d’art moderne, Paris | 2025
(English version in preparation, feel free to contact me)
Catalogue essay: The Anatomy of a Forest, or, Radical Anthropomorphism, in Susanne Kriemann. Ray, Rock, Rowan (Being a Photograph), Graz, Edition Camera Austria | 2025
Article: Entrée en matière. Les autoradiographies de Fritz Goro pour Life, Transbordeur. Photographie histoire société 8, special issue Ecological Histories of Photography, ed. Teresa Castro, Brenda Lynn Edgar et Estelle Sohier | 2024 (peer-reviewed)
Article: “Not the End”: Artists on and Against Nuclear Closure, 21: Inquiries into Art History and the Visual, 1, special issueTowards a Multi-Temporal Pluriverse of Art, ed. Birgit Hopfener & Karin Zitzewitz | 2024 (peer-reviewed)
Chapter: From Concealed Caves to Dis(Cover)ed Bunkers: Gaetano Pesce’s Pre-/Post-Historical Atomic Shelter, in Architectures of Hiding. Crafting Concealment, Omission, Censorship, Erasure, Silence, ed. Rana Abughannam, Émélie Desrochers-Turgeon, Pallavi Swaranjali & Federica Goffi, London, Routledge | 2024
Chapter: The Possibility of a Situated Nuclear Knowledge: Art in Contaminated Sites, in Toxic Immanence: Decolonizing Nuclear Futures and Legacies, ed. Livia Monnet, Montréal, McGill University Press | 2022 (peer-reviewed)